Good morning, Doctor Haydn

 

In a recent Global Blake event, a symposium, Blake and Music, on the musical reception of William Blake, Camila Oliveira gave a paper “William Blake & Visionary Cover Arts”, that drew attention to the use of Blake’s images on the covers of classical recordings. Of note was the fondness of record companies to use Blake for recordings of works by Haydn, even when there was no obvious link between the composer’s work and William Blake himself.

“O Nancy’s hair is yellow as gowd”: Blake, Border ballads, and the reinvention of relief etching

In a prospectus addressed To the Public, and dated 10 October 1793, William Blake described his invention of “illuminated printing” in these words:

The Labours of the Artist, the Poet, the Musician, have been proverbially attended by poverty and obscurity; this was never the fault of the Public, but was owing to a neglect of means to propagate such works as have wholly absorbed the Man of Genius. Even Milton and Shakespeare could not publish their own works.
    This difficulty has been obviated by the Author of the following productions now presented to the Public, who has invented a method of printing both Letter-press and Engraving in a style more ornamental, uniform, and grand, than any before discovered, while it produces works at less than one-fourth the expense.
    If a method of Printing which combines the Painter and Poet is a phenomenon worthy of public attention, provided that it exceeds in elegance all former methods, the Author is sure of his reward. (E 692; see NOTE at end.)