The Labours of the Artist, the Poet, the Musician, have been proverbially attended by poverty and obscurity; this was never the fault of the Public, but was owing to a neglect of means to propagate such works as have wholly absorbed the Man of Genius. Even Milton and Shakespeare could not publish their own works.
This difficulty has been obviated by the Author of the following productions now presented to the Public, who has invented a method of printing both Letter-press and Engraving in a style more ornamental, uniform, and grand, than any before discovered, while it produces works at less than one-fourth the expense.
If a method of Printing which combines the Painter and Poet is a phenomenon worthy of public attention, provided that it exceeds in elegance all former methods, the Author is sure of his reward. (E 692; see NOTE at end.)
Showing posts with label John Linnell. Show all posts
Showing posts with label John Linnell. Show all posts
Tuesday, 26 March 2024
“O Nancy’s hair is yellow as gowd”: Blake, Border ballads, and the reinvention of relief etching
In a prospectus addressed To the Public, and dated 10 October 1793, William Blake described his invention of “illuminated printing” in these words:
Saturday, 10 October 2020
William Blake and Hampstead
The Collinses, father and son (and both called John) had been farming Wyldes since 1793. John Collins, the younger, was a small scale dairy farmer, owning 16 cows which grazed on the heath. He also sold strawberries, apples, currants and fresh water at a penny farthing a pail from one of the wells near the house. It is said that “J. Collins cow Keeper & Dairyman North End” can still be seen scratched on the window of his kitchen.
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