Walter Zimmermann was born in Schwabach, Franconia, on 15 April 1949. Alongside his career as a composer he has engaged in ethnological research, gathering folk music in Franconia but also (1975-6) from American Indian reservations. He has been Professor of Composition at the Berlin Academy of the Arts since 1993; he now lives in Berlin and Seidmar (Franconia).
Zimmermann's position is that of a resolute outsider within a culture based on common currents and continuities. And almost from the start, works with quite different instrumentation were organised into substantial Werkgruppe (“cycles” or “projects”). Thus, perhaps his best-known work, Lokale Musik (1977-81) is a collection of pieces (from solos and chamber music through to large orchestra), a project about the "manifold relationships between landscape and music", a private (autobiographical and psychological) and public (historical and social) working out of those relationships in a particular landscape, that of Zimmermann's native Franconia. Zimmermann presents us with, not just a remarkable body of music, but a model of composition as a project that connects the musical to the historical, ethnological, social and psychological, and one in which these connections are never musically trivial.
Showing posts with label Walter Zimmermann. Show all posts
Showing posts with label Walter Zimmermann. Show all posts
Thursday, 29 May 2014
Sunday, 18 May 2014
Blake-spotting—Pet Shop Boys
For most musicians today, a recording is (a) historical documentation, (b) a token of a certain status, (c) a gift-able object, and/or (d) a calling card and advertisement for live performances.—DANIEL WOLFThe latest Pet Shop Boys album, “Electric”, consists of nine tracks of which the fifth, “Inside a Dream” uses a Blake refrain
The Land of Dreams is better far,
Above the light of the Morning Star.
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